Friday, May 15, 2020

A N O T E O F T H A N K S



A   N O T E   O F   T H A N K S


I would like to offer my heartfelt thanks to the
Sidney Myer Fund & the Myer Foundation for administering a series of grants
on behalf of the following
Participating Philanthropists and Philanthropic Entities:


Andrew Myer AM & Kerry Gardner AM
Ann & Warwick Johnson
Berwyn Roberts & Jennifer Mackenzie
Carrillo Gantner AC and Ziyin Gantner
Creative Partnerships Australia
Darin Cooper Foundation
Day Family Foundation
Doc Ross Foundation
FWH Foundation
Inner North Community Foundation
James and Diana Ramsay Foundation
Kate and Stephen Shelmerdine Family Foundation
Kathryn Fagg AO
Kim Williams AM
Lindisfarne Foundation
Mandy and Edward Yencken & Family
Mark and Louise Nelson
Minderoo Foundation
Nunn Dimos Foundation
Robert Bishop
Philanthropy Australia
Sarah Myer and Baillieu Myer AC
Sidney Myer Fund
Simon Mordant AM and Catriona Mordant AM
Spinifex Trust
Tim Fairfax AC
The Skrzynski Family Sky Foundation
Vallejo Gantner
Yulgilbar Foundation

I have gratefully received a grant of $1,000 to help manage my loss of income during COVID-19
Unfortunately I am not eligible for JobSeeker.



A happy day - debt repaid







How lovely to have made the final payment on our beautiful new townhouse. Now a few years of upping the Superannuation and we should be okay in retirement. Speaking of which, my plan is to continue as an artist messing about in the studio making & creating things.

Monday, May 4, 2020

INKWINGS WRITING ADVENTURE



INKWINGS WRITING ADVENTURE

My friend from New Jersey Linda Lanza invited me to join her class to undertake a writing adventure. Linda started the course at the outbreak of the coronavirus in the USA to help friends navigate a path through the virus lockdowns. I would like to keep a record of what I wrote during those sessions. I will also jot down the a number of words that have been floating around during our sessions:

ONE-LINERS
pick one leaf not the whole forest

what did the writing tell you

we are still in the boat

the dependable colours of old friends

the nurturing that is love

I see many things on the back of my eyelids

hate bites, joy sings

death divides, memory clings


IDEAS

swept away two words seen on a River Derwent walk in March 2020

WORDS caught

nourishment, food, friends, mother, father, freedom, acceptance, love, peace, comfort, space, freedom, burn tear, dissolve, share, save, raw, write, spring, seeds, courage, see, say, feel, thing, vessel, reflection, relief,  pause, peach, recess, trill, curls, elegant, finite, perfume, daisies, seconds, time, hour, day, slow, light, darkness, breathe, breath, sound, eyes, thread, sew, use, beauty, functional, dissolve, elusive, sensible, lonely, alone, elusive, intrepid, plant, blossoms, bloom, fortify, smoke, sleep, think, more to come

RAMBLINGS

seeds of the pen, the brush, a song,
a poem, lessons learned
lessons taught to keep my world turning
my mind working, my days tuned
in tune with the planted seeds

floating on this river of life
precarious as it is right now
aware of the river, the banks, the drifters
suddenly the world slammed shut
to be opened anew when the scattered seeds crack open
to reveal the new way forward


an endless afternoon became more apparent
time went by
pain, loneliness, fright
how did this happen
how did I get to here
abandoned by the loved ones
my own fault, really? was it
tears again … again … a child
tears again … tears still

when things got hard
I used to drive and keep on driving
why did I do that
why not stop and stand my ground
it was easier then to keep on driving

a single glorious thing
start of a new life
I couldn’t see that then, why
why why why
where was my sense of self
I let go
of that single glorious thing

what is the use of beauty
if it is to die
as time engulfs us, instead
expose the inner beauty
in us all

a candle for the end
what end
my end of course
when will that be
shall I light it
not yet silly

there is a thread you follow
it swims it dives it travels
it has a path of it’s own
go with it
it’s stuck
hold on
it’s stuck again
hold on, hold on tight
-----------------------------------------
the line of the thread is writing
your life’s story
until that day comes
for you let go


the thread
it sews the body bags
slipped into unnamed boxes
buried deep
deep en masse
take heart, it’s not your turn

my reaction upon seeing hundreds of bodies buried at potter’s field on hart island

I am the thread
I glide through the eye of the needle
I sew my life as a tapestry
a coloured cloth of insatiable
want for knowledge

just like an undeniable tsunami
the ill-wind came so swiftly
quietly
scaring the people of earth
the wind swirls harshly
touching every corner of the earth
the ill-will stays
it traumatises all in it’s wake
taking it’s own slow journey
whence it came.

right down there
in the thick of things
some people run to the top of the mountain
some people hide
some people are left behind, but
some people stay behind for
those who can’t fend for themselves
right down there in the thick of things
is compassion

the work of the world
is as common as mud
to be of use in that world
you must dive right in to that mud
and work with it.
make things, beautiful things
functional and helpful things
give of yourself this mud you have molded
to be left behind
one person’s creative legacy

write, write, write
write with your hand,
write with your head, and
write with your heart.

time will give it to us
what we seek
be patient with time
be sensible
be aware
love those close
keep them safe
if you’re alone,
do not be lonely
use time wisely
and that elusive seed will come

Saturday, May 2, 2020

Leave your mark









A wonderful video of my colleague Monica Dengo came across my desk this morning. I have thoroughly enjoyed this interview with our highly respected colleague Monica. The essence of her words are informative, intelligent and knowledgeable about the subject of handwriting, so primal to us all and how handwriting manifest itself so importantly to our creative existence. 

This is the best interview I have seen that has resonated deeply within me. And that’s a great thing, what I need right now. Not, I think because we are in the mids of the covid-19 but rather because I am personally in the midst of change within myself. Those can be discussed at a later time as I'd love for you to grab a beverage of your choice, calligrapher or not as it pertains to us all and spent this half hour watching Monica talk about handwriting, materials, community, plastic, working with our hands and our her own art:  click here for artist Monica Dengo




Sunday, April 12, 2020

How to make Origami Box




Here is a little video I created a couple of weeks ago just to test the quality of my filming ability, my video camera, clarity, accessibility and quality. I am also testing the new format of my blog. Right now there is plenty of time to simply mess about in the studio - thanks to COVID-19. Enjoy!



Friday, April 10, 2020

At Potters Field ...



A Potter's Field is known in historical terms as a place of burial for the poor and the unclaimed. Here is a potter's field in New York today. Hart Island, the Bronx.

https://www.abc.net.au/news/2020-04-10/new-york-state-posts-record-coronavirus-death-rise-covid-19/12140380


Friday, April 3, 2020

Memory Markers, Perth Western Australia - redux



A few years ago I posted this fabulous sculpture here on my blog. I am very pleased to tell you that both the Artist Anne Neil and the Historian Barbara Dundas have given me more information regarding this amazing work. With their permission I share it with you now. I thank Barbara Dundas for initiating contact with me so I can share with you the true and historical meaning behind the work.


And just to quote from Barbara: "The markers acknowledge the physical and social changes and less obvious, but equally important, the need for the written word to help support and preserve those oral traditions of the First Nation people."






 This art work Nibs - Memory Markers was completed by Artist Anne Neil and her team Blackwell Landscape Architects and Historian Barbara Dundas in 2005. The artwork is comprised of 5 dipping pen nibs that stand 3.5m high with blue up-lights
  
To understand the art work one has to consider the competition brief from the Perth City Council. The art work was to link the various historic and architectural sites in Perth- the Town Hall, Lands and Surveys Buildings (held all the original certificates of title to land in WA), the first Court House in WA, the Supreme Court buildings, the Bell Tower, convention centre and the historic Stirling Gardens and the broad cultural heritage of the area - land of the First Nation Aboriginal people, the Nyungah, Swan River people.

 In the preliminary historical search, the site became of particular importance, the start of colonial law, the first botanic gardens in WA, now Stirling Gardens and the adjacent Government House and the Government Gardens. The selected site was part of a place of meeting and landmark place with vistas to all the above sites.

 However, at this level  it appears to focus on European culture. The use of the nibs ... the written word was also a point of difference between the Indigenous and the European Cultures. The markers are located not far from the site of where  British Flag was first raised to mark the commencement of the  British  Swan River Colony  in Western Australia - a tree was felled at the site of the Perth Town Hall. Adjacent to the Memory Markers is the now Stirling Gardens and the entry to the Supreme Court. 


The artwork was originally considered to have the name Script ... that is a legal term and the point of difference between the two meeting cultures. The selected name is Memory Markers, this both acknowledges the two cultures; their meeting  and the points of difference between the written record - the new legal system and an ancient oral tradition of the First Nation people. Adjacent, is a poem  from a newspaper in the 1930s, describing the place and its flowers. You will note the nib sculptures also have a variety of native and exotic (imported) plants  excised from them. At night the flowers are highlighted with blue up lighting and appear as art work on the nibs. In its landmark, position the nibs are visible both day and night from the north, south and west.

The markers are indeed poignant reminders of the complex history of this area and colonial settlement impacts. They recall the  power of the written word, the new legal system and the role of  planning and land ownership. They also pay tribute to those early settlers who marked out the town/ now City of Perth and the landscape and the changes in landscape. The markers acknowledge the physical and social changes and less obvious, but equally important, the need for the written word to help support and preserve those oral traditions of the First Nation people.

Barbara Dundas - Historian

The  Artist and team member names are included in the sculptural context - on a a plaque nearby
















Australia's gift on vellum to the USA

  With only a few weeks to go, I was commissioned by the Australian Government to create a congratulatory gift on vellum with the full text ...