The great gold size story …
The
great gold size story …
Kind Regards … etc. etc. etc.
I
went to teach two workshops in the Blue Mountains recently. To save on carrying
all my art supplies for the participants by air, I either send materials ahead
and/or rely on purchasing goods at the local art suppliers.
This
time I purchased a gold size from the local. A size I have been using for near
on twenty-five years. It is a safe, easy and fool-proof size for easy gilding …
everything sticks to it – real and imitation gold alike.
With
a glance at the label, I picked the bottle off the shelf. I held it up and
thought “this is very white”. Normally the product is a creamy colour but I
though no more of it. Then came the class demonstration. Opened the bottle and
the product did not smell at all like the gilding size I was used to and I immediately
knew this is not the product the label says it is.
I am well experienced with handling gold, gold sizes
and gilding both traditionally and modern. In fact, I am teaching a class in
Portland Oregon for the OCAC in June specifically on gilding and I was to use
this product as one of the sizes.
Surrounded by a gaggle of eager students awaiting the glitz & glam of gold I gave my reservations about the size and to prove what I knew to be true I demonstrated in my usual fashion all the way saying the gold will not stick. Of course the gold didn’t stick. Phew … step one over.
I came back to my home studio in Tassie via Canberra and ran some trials with my own bottles of the size and some bottles of friends. I knew then, unquestionably, the labeling production had gone awry. Wanting to get to the bottom of the problem a.s.a.p. and make amends with my students I wrote to, then spoke with, the General Manager of the manufacturing company and put my case. Obviously they wanted the bottle and as I had lots of photographic evidence, my gilding swatches & my student as witnesses I happily sent it off with some swatches for the manufacturer too.
Surrounded by a gaggle of eager students awaiting the glitz & glam of gold I gave my reservations about the size and to prove what I knew to be true I demonstrated in my usual fashion all the way saying the gold will not stick. Of course the gold didn’t stick. Phew … step one over.
I came back to my home studio in Tassie via Canberra and ran some trials with my own bottles of the size and some bottles of friends. I knew then, unquestionably, the labeling production had gone awry. Wanting to get to the bottom of the problem a.s.a.p. and make amends with my students I wrote to, then spoke with, the General Manager of the manufacturing company and put my case. Obviously they wanted the bottle and as I had lots of photographic evidence, my gilding swatches & my student as witnesses I happily sent it off with some swatches for the manufacturer too.
The minute they got the bottle the General Manager
said:
The package just arrived
and even at first glance I can confirm it is PVA. The labels are old labels and
we were able to identify when this might have occurred. We can only sincerely
apologize. We will send you 3 replacement bottles today. Thank you for your
understanding and best of luck for your upcoming workshops.
And …
they did a product recall … and I got three new bottles yesterday! I must say I
could have done without the hassle but two things have come from this unwanted
intrusion into my frenetic life – I am really proud of my students for
believing in me and two, I am very very pleased with the company for their immediate
attention to the problem. I feel sorry for anyone who has tried this product
and found it didn’t work … thinking it might have been them.
Note
Bene: a pva will allow real gold to adhere to it but this particular pva is
very thin and did not work at all. It dries flat unlike most pva’s I use.
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