Thursday, May 17, 2012
Hello Macs
The Macs are coming tomorrow ... let's hope the transfers are smooth and we don't loose a beat ... bye for now.
Monday, May 14, 2012
The Humble Bookmark
I loved joining in this bookmark collaborative/competition for the Buderim Craft Cottage. For such a humble object to create I had so much fun ... and a tiny frustration getting the books down to size to fit the width. But, I got there in the end.
I love books, reading and bookshelves so I took some shots of my own shelves and transferred one of the images to the paper. I have fallen in love with piercing (paper) so I chose an early Roman mosaic design at the time the codex was first created to pierce. The verso sees one of my many book quotes created using my favourite graphite tool the Rotring 0.35
This little labour of love managed to win 3rd prize. Yippee! Congrats to Susan Bradshaw for her 1st and to Anna Day for 2nd. Well done to all the Highly Commendeds too!
The Materials
300gsm watercolour paper
(not)
Image transfer &
piercings
Graphite pencil Rotring
0.35
Linen thread & paper
bead
Saturday, May 12, 2012
Just finished ...
Kedumba, Godoomba, Katoomba!
Aboriginal for valley of falling waters!
Materials: gouache, pen, ink & pencil
Friday, May 11, 2012
Historic Shipwrecks
Clearly the Minister Tony Burke was impressed! These are the six Historic Shipwreck Declaration documents I prepared just before and after the Blue Mountains gig. How wonderful to see the Federal Government supporting the arts as Tony Burke does. Such a shame the ANU School of Music isn't getting the the same!
Thursday, May 10, 2012
The great gold size story …
The
great gold size story …
Kind Regards … etc. etc. etc.
I
went to teach two workshops in the Blue Mountains recently. To save on carrying
all my art supplies for the participants by air, I either send materials ahead
and/or rely on purchasing goods at the local art suppliers.
This
time I purchased a gold size from the local. A size I have been using for near
on twenty-five years. It is a safe, easy and fool-proof size for easy gilding …
everything sticks to it – real and imitation gold alike.
With
a glance at the label, I picked the bottle off the shelf. I held it up and
thought “this is very white”. Normally the product is a creamy colour but I
though no more of it. Then came the class demonstration. Opened the bottle and
the product did not smell at all like the gilding size I was used to and I immediately
knew this is not the product the label says it is.
I am well experienced with handling gold, gold sizes
and gilding both traditionally and modern. In fact, I am teaching a class in
Portland Oregon for the OCAC in June specifically on gilding and I was to use
this product as one of the sizes.
Surrounded by a gaggle of eager students awaiting the glitz & glam of gold I gave my reservations about the size and to prove what I knew to be true I demonstrated in my usual fashion all the way saying the gold will not stick. Of course the gold didn’t stick. Phew … step one over.
I came back to my home studio in Tassie via Canberra and ran some trials with my own bottles of the size and some bottles of friends. I knew then, unquestionably, the labeling production had gone awry. Wanting to get to the bottom of the problem a.s.a.p. and make amends with my students I wrote to, then spoke with, the General Manager of the manufacturing company and put my case. Obviously they wanted the bottle and as I had lots of photographic evidence, my gilding swatches & my student as witnesses I happily sent it off with some swatches for the manufacturer too.
Surrounded by a gaggle of eager students awaiting the glitz & glam of gold I gave my reservations about the size and to prove what I knew to be true I demonstrated in my usual fashion all the way saying the gold will not stick. Of course the gold didn’t stick. Phew … step one over.
I came back to my home studio in Tassie via Canberra and ran some trials with my own bottles of the size and some bottles of friends. I knew then, unquestionably, the labeling production had gone awry. Wanting to get to the bottom of the problem a.s.a.p. and make amends with my students I wrote to, then spoke with, the General Manager of the manufacturing company and put my case. Obviously they wanted the bottle and as I had lots of photographic evidence, my gilding swatches & my student as witnesses I happily sent it off with some swatches for the manufacturer too.
The minute they got the bottle the General Manager
said:
The package just arrived
and even at first glance I can confirm it is PVA. The labels are old labels and
we were able to identify when this might have occurred. We can only sincerely
apologize. We will send you 3 replacement bottles today. Thank you for your
understanding and best of luck for your upcoming workshops.
And …
they did a product recall … and I got three new bottles yesterday! I must say I
could have done without the hassle but two things have come from this unwanted
intrusion into my frenetic life – I am really proud of my students for
believing in me and two, I am very very pleased with the company for their immediate
attention to the problem. I feel sorry for anyone who has tried this product
and found it didn’t work … thinking it might have been them.
Note
Bene: a pva will allow real gold to adhere to it but this particular pva is
very thin and did not work at all. It dries flat unlike most pva’s I use.
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