Gilding - traditional & modern techniques



Learn the art of successful gilding through Private Lessons. Any thechniques you are having difficulty contact me if you would like to study further to becoming a successful gilder.

Comments

Elaine said…
You mentioned that you used Ormoline size in one of your pieces. Do you find this better than other media? Love seeing your work!
May 16, 2011 at 6:13 PM
Gemma Black said…
Thanks E.
Oh yes, I love Ormaline for flat gilding. It can be a little raised if pooled properly. It will take a very light burnishing but care needs to be taken and it is best to use double gold. I have been using Ormaline since I found it in a little tiny W&N emporium in Gilford in the UK in 2001. I now purchase it online. Similar to WQGM but not nearly as sticky.

I also like the Instacol ... straight out of the bottle!
May 17, 2011 at 8:01 PM
Post a Comment

Popular posts from this blog

Pencils Workshops ASC & CCS

Image
Just recently I taught two workshops on Purely Pencils II. One in Sydney for the Australian Society of Calligraphers and the Canberra Calligraphy Society. Here is a selection of photos from both of those workshops:      My in-class demonstration. My morning walk It is always a pleasure to teach for the Australian Society of Calligraphers as well as visit Sydney my hometown on 19 years. The venue Primrose Park sits in tranquil setting down on the harbour edge at Cremorne. The following exercise is called "From Nature to Paper" Using watercolour pencils to choose, as well as mix and match, the colour depicted in the flowers.  As the class skill level varied I chose Charles Rennie Mackintosh letterforms to use depicting the initial letter of the name of the flower.  The class enjoyed this project tremendously. Sadly I did not have my camera for
Read more

The story of a painting ...

Image
   Gemma Black: maker of written artifacts with pen & ink-stone  Artist: Neville Dawson   I met a man on a bus   I arrived into Hobart Airport from one of those long haul trips that I have taken from time to time. I was exhausted after an enjoyable teaching tour. I boarded a mini-bus to take me into the city centre as David was working in Orchestra and had taken the car. A gentleman asked was the seat next to me taken. It wasn’t, so I said he was welcome to sit there. Invariably a small-talk conversation started though I could hardly keep my eyes open with the tiredness. Suddenly my senses piqued when he said he was an artist and all my concentration was suddenly focused on this quietly spoken man sitting next to me … "An artist? So am I” , I said … “ well sort of” . The gentleman, whose name is Neville Dawson, turned out be so interesting and charming that our trip into the city ended so very quickly. It saw us swapping names as he exited down the st
Read more

Onward to Bloemfontein, South Africa

Image
From Cape Town I moved onward to Bloemfontein in the Free State where I met another wonderful group of talented calligraphers.  Everyone could speak English of course but their first language was Afrikaans. I enjoyed listening to the classroom banter even though I had no understanding whatsoever of what they were saying. I am enjoying trialing SA cuisine in particular melktert and bobotie. Many thanks go to my host family Willemien, Franna, Dian & Mika Kruger for their hospitality and warm welcome. The subject for our three day workshop was "watercolour cut-back technique using Trajan letters".   Please enjoy these wonderful outcomes.
Read more