modern, decorative and traditional works of quality
Gilding - traditional & modern techniques
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Learn the art of successful gilding through Private Lessons. Any thechniques you are having difficulty contact me if you would like to study further to becoming a successful gilder.
Thanks E. Oh yes, I love Ormaline for flat gilding. It can be a little raised if pooled properly. It will take a very light burnishing but care needs to be taken and it is best to use double gold. I have been using Ormaline since I found it in a little tiny W&N emporium in Gilford in the UK in 2001. I now purchase it online. Similar to WQGM but not nearly as sticky.
I also like the Instacol ... straight out of the bottle!
"The Johannesburg Group" Catherine, Marj, Jill, Antonette, Pearl, Barbara, Louise, Dianne & Jeff And per se and! Meet Tiny. What a woman! Here is a wonderful array of work from the Retro Deco three-day course in Johannesburg. Thank you to all my diligent participants who worked ever so hard to achieve these works. A huge thank you to Pearl de Chalain for being the the mover & shaker for the JB group. Also my thanks to Pearl & Paul for their generous hospitality.
Just recently I taught two workshops on Purely Pencils II. One in Sydney for the Australian Society of Calligraphers and the Canberra Calligraphy Society. Here is a selection of photos from both of those workshops: My in-class demonstration. My morning walk It is always a pleasure to teach for the Australian Society of Calligraphers as well as visit Sydney my hometown on 19 years. The venue Primrose Park sits in tranquil setting down on the harbour edge at Cremorne. The following exercise is called "From Nature to Paper" Using watercolour pencils to choose, as well as mix and match, the colour depicted in the flowers. As the class skill level varied I chose Charles Rennie Mackintosh letterforms to use depicting the initial letter of the name of the flower. The class enjoyed this project tremendously. Sadly I did not have my camera for
Pen Nibs, Sculpture by Anne Neil 2005 Can you believe these nibs!! I was excited when my host Barb King, who was looking after me for my recent versals workshop for the Calligraphers Guild of WA, said I must see these nibs. Barb was right! This nib sculpture is in Barrack Street at one of the entrances to the Supreme Court gardens. There was no plaque to tell me the sculptor, nor it's name. It may well be "somewhere" on the work. Makers ... please insist on leaving your mark! I have done a little search and have come up with a couple of explanations to their significence. One is that scriveners worked nearby at the courts for the past two centuries ... but another says they have nothing to do with the courts at all and that they are related to the gardens and were a tribute to the far-sighted planners who established the gardens over a century and a half ago. I took these photos obviously in the evening, lit up, as well as in daylight. Thanks Barb! Mor
Comments
Oh yes, I love Ormaline for flat gilding. It can be a little raised if pooled properly. It will take a very light burnishing but care needs to be taken and it is best to use double gold. I have been using Ormaline since I found it in a little tiny W&N emporium in Gilford in the UK in 2001. I now purchase it online. Similar to WQGM but not nearly as sticky.
I also like the Instacol ... straight out of the bottle!