Flexible study plan available

If you are interested in being mentored through a particular calligraphic journey or wish to have a series of constructive critical analysis of your work, then I would be delighted to work with you. I will work individually with you on a one to one basis at whatever skill level you are presently at. The plan is fully flexible and operates as a pay as you go system. Interested? Click the link "study with Gemma" above.

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The story of a painting ...

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   Gemma Black: maker of written artifacts with pen & ink-stone  Artist: Neville Dawson   I met a man on a bus   I arrived into Hobart Airport from one of those long haul trips that I have taken from time to time. I was exhausted after an enjoyable teaching tour. I boarded a mini-bus to take me into the city centre as David was working in Orchestra and had taken the car. A gentleman asked was the seat next to me taken. It wasn’t, so I said he was welcome to sit there. Invariably a small-talk conversation started though I could hardly keep my eyes open with the tiredness. Suddenly my senses piqued when he said he was an artist and all my concentration was suddenly focused on this quietly spoken man sitting next to me … "An artist? So am I” , I said … “ well sort of” . The gentleman, whose name is Neville Dawson, turned out be so interesting and charming that our trip into the city ended so very quickly. It saw us swapping names as he exited down the st
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Nib sculpture

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Pen Nibs, Sculpture by Anne Neil 2005 Can you believe these nibs!!  I was excited when my host Barb King, who was looking after me for my recent versals workshop for the Calligraphers Guild of WA, said I must see these nibs. Barb was right!  This nib sculpture is in Barrack Street at one of the entrances to the Supreme Court gardens.  There was no plaque to tell me the sculptor, nor it's name. It may well be "somewhere" on the work.   Makers ... please insist on leaving your mark! I have done a little search and have come up with a couple of explanations to their significence. One is that scriveners worked nearby at the courts for the past two centuries ... but another says they have nothing to do with the courts at all and that they are related to the gardens and were a tribute to the far-sighted planners who established the gardens over a century and a half ago. I took these photos obviously in the evening, lit up, as well as in daylight. Thanks Barb! Mor
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Pencils Workshops ASC & CCS

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Just recently I taught two workshops on Purely Pencils II. One in Sydney for the Australian Society of Calligraphers and the Canberra Calligraphy Society. Here is a selection of photos from both of those workshops:      My in-class demonstration. My morning walk It is always a pleasure to teach for the Australian Society of Calligraphers as well as visit Sydney my hometown on 19 years. The venue Primrose Park sits in tranquil setting down on the harbour edge at Cremorne. The following exercise is called "From Nature to Paper" Using watercolour pencils to choose, as well as mix and match, the colour depicted in the flowers.  As the class skill level varied I chose Charles Rennie Mackintosh letterforms to use depicting the initial letter of the name of the flower.  The class enjoyed this project tremendously. Sadly I did not have my camera for
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